[Clayart] nceca stories/long
wirerabbit2 at gmail.com
Wed Mar 26 14:54:17 EDT 2014
Tony C, Paul L and others. I had a nice little love note written about
NCECA and of course, the ether took it.
I started believing that the most important aspect of going to NCECA was
the chance to make connections with other clay folk. Now that I have three
NCECAs under my belt, I've expanded my valuation to include all the
concurrent shows available in and around the conference site, especially
important to those of us that feel because of our relatively young clay
age, we need to expose ourselves (yes, Russel, I said "expose ourselves")
to as much clay as possible. While seeing all that great clay in Houson was
a big part of going last year, the personal connections were what sent me
(literally) to my very first NCECA (Louisville) and it will be personal
connections that will bring be back in the future.
I am very hopeful about the future including NCECA's future. It will
change. Claying will change and we will be right there in the middle of it.
My plan is as it was almost I'm glad Paul Lewing was in the middle of it
when he facilitated the meeting of a budding raku artist with Steven
Branfman and a great public relations agent for clay.
Taylor, in Rockport TX
wirerabbit1 on Skype (-0600 UTC)
On Wed, Mar 26, 2014 at 12:36 PM, tony clennell <smokieclennell at gmail.com>wrote:
> Steve: Although I agree with you and Taylor that perhaps the real potters
> are looking elsewhere for their clay injection site I have to say that it
> can be a worthwhile horse to ride.
> As for the Clayart horse- it was because of Clayart and you that I will be
> presenting at Ceramics Festival at Aberystwyth in Wales UK. Thank you very
> much, Steve for your nomination. I am indeed most honoured as my early
> mentor Mick Casson would be very pleased. That followed by an invitation to
> do a workshop and present in the Lake District in the UK.
> Donovan Palmquist asked me to attend the Wood Fire conference in Denmark.
> I also had offers of two workshops in BC and one in Nova Scotia. So you see
> it can be worth the price of admission.
> On my way out of the hotel at NCECA a Clayarter that wants to remain
> anonymous offered me a scholarship for a Sheridan student of colour to
> attend NCECA next year. We took 30 students this year. Rhode Island is
> closer so there will be more from Sheridan going. I landed a couple of
> students summer assistantships that will be career changing. For some of us
> NCECA is about conducting business.
> That said you have to have good work to back up all the talk. The work is
> what gets you the offers not the pub talk. BTW I write many letters of
> recommendation but the real good ones I always set up a personal
> introduction at NCECA.
> Cya in Wales.
> On Wed, Mar 26, 2014 at 10:32 AM, Steve Mills <
> original.mudslinger at gmail.com> wrote:
>> Steve Mills
>> Sent from my iPod
>> On 25 Mar 2014, at 15:17, Taylor Hendrix <wirerabbit2 at gmail.com> wrote:
>> > I think that many of us have already been looking past NCECA and certain
>> > academic clay programs for some time. Not that we don't engage with
>> > foregrounded things--they are an important part of who we are right
>> > now--but we are beginning to crane our necks around such things to
>> catch a
>> > glimpse of something very interesting cresting the hill just there.
>> > too far away to say exactly what it is, but it's coming. I can feel it.
>> > As for me, I'm in clay for the long haul no matter what comes. Let's
>> not be
>> > afraid that the nexus of clay may be decentralizing, becoming more
>> > or that markets dry up. Let's keep making and trust that folks will
>> > respond positively to things well made.
>> > Can I get an Amen?
>> > Taylor, in Rockport TX
>> > wirerabbit1 on Skype (-0600 UTC)
>> > http://wirerabbit.blogspot.com
>> > http://wirerabbitpots.blogspot.com
>> > http://www.flickr.com/photos/wirerabbit/
>> > https://youtube.com/thewirerabbit
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