[Clayart] Hot wax
gerholdclay at gmail.com
Mon Jul 15 17:07:07 EDT 2019
Tried that. The problem is the glaze I am trying to resist is a gold crackle and the latex rags the crackle in a way that isn't visually pleasing.
> On Jul 15, 2019, at 1:45 PM, sumi <sumi at herwheel.com> wrote:
> I wasn't going to chime in on this, but is latex (mask n' peel) a possibility? You have to dip your brush in soap before applying it, and make sure to apply a solid coat, but then it is peeled off after you apply your glaze. It doesn't really resist the glaze, but as long as you can find the end of the line and the coat is thick enough, it peels off easily taking the glaze that covers it along. Of course if you have lots of individual lines and dots it may be too much work to find each one and peel it off. Also the edge of the glaze coat may chip when peeling the latex off, so that may be another downside.
>> Some of the copper reds I use are pretty thick.
>> I have noted a couple of things about wax emulsion.
>> 1. The thicker the layer the harder to dry fully and properly. Any water
>> based coating is going to have this problem. Since moving to hot and dry
>> Colorado things have improved significantly. If you live in humid Florida
>> (as I did), you are always going to have problems.!
>> 2. Both thin and thick layers can form rougher surfaces (either because of
>> brushing issues with thick emulsion, or roughness of the bisque with thin
>> layers). This automatically prevents good repulsion of the glaze.
>> Hot wax works by cooling rather than evaporation so is always going to
>> "cure" better, and faster. Generally it also has a smoother surface which
>> helps repel the glaze better. The downside is that it cools very fast and
>> is hard to handle. Frankly I've also seen hot wax have problems repelling
>> the glaze if it's not applied smoothly.
>> There are three routes of investigation that occur to me.
>> 1. Find some sort of coating that does not rely on evaporation. Either a
>> very thin two part epoxy or a coating that relies on oxidation (some of the
>> polyurethanes work this way). This probably doesn't much fix your speed
>> issue. You also want something that is high enough gloss to really repel
>> 2. A coating that uses more volatile compounds to dry. Shellac is an
>> example although as LT notes, this apparently is susceptible to water
>> damage and therefore doesn't repel water very well. Some of the modern
>> lacquers can be diluted with acetone and dry very fast and are more water
>> repellent. Acetone etc has a very very low surface tension and I could see
>> it not keeping a tight enough line.
>> 3. If we focus on the water repelling properties, there are some very high
>> tech water repelling silicones that might do a better job than even hot
>> wax. Obviously silicone caulks spring to mind but probably aren't suitable
>> for your application (mostly because of viscosity). But there are also
>> silicone concrete sealers and fabric sealers than might work really well
>> (I'm pretty sure I've seen very tight water beads on coated wood and
>> concrete). These tend to have longer drying times, but you might find
>> something that really repels the glaze.
>> I use 100ml syringes for measuring specific gravities and the glaze will
>> degrade the plastic and rubber plunger so it's almost impossible to move.
>> However a single coat of silicone leather protectant completely renews it
>> and I've noticed the glaze, however thick, really beads up nicely.
>>> On Mon, Jul 15, 2019, 4:51 AM Paul Gerhold <gerholdclay at gmail.com> wrote:
>>> My problem is the glaze is clay based and has to be very thick to do what
>>> I want to achieve. Thin resists just coat over after a couple of coats of
>>> glaze. Can actually clan with moist Q tips but way to much work to be a
>>> viable technique. Need a way to get a thick resist layer that dries at a
>>> reasonable rate.
>>>> On Jul 14, 2019, at 4:15 PM, Robert Harris <robertgharris at gmail.com>
>>>> Paul -
>>>> I don't see why that wouldn't work. I'd imagine you could use light oil
>>>> white spirit to reduce the melting point to work well with any
>>>> setting/fluidity wanted.
>>>> I'd also mention that I always dilute my wax emulsion quite
>>>> This aids drying time, but I have to admit I still like to give it an
>>>> or two, which really helps even thick glaze come right off.
>>>> As an off beat idea how about using lacquer or something similar that is
>>>> alcohol based. Should dry much faster. I know people who do water etching
>>>> on leather hard clay like lacquer. No idea if it work on bisque however
>>>> could imagine the layer not being quite thick enough to get into pores
>>>>> On Sun, Jul 14, 2019, 12:10 PM Paul Gerhold <gerholdclay at gmail.com>
>>>>> Has anyone tried using an electric tjanting tool to apply hot wax to
>>>>> bisque. I have tried several liquid wax resists and am so far unhappy
>>>>> the drying rate.
>>>>> I will try lowering bisque but I need a thick wax line to work with my
>>>>> thickly applied glaze.
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